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Looking at Indian Art of the Northwest Coast, by Hilary Stewart
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Product details
Paperback: 112 pages
Publisher: University of Washington Press; Later printing edition (May 1, 1979)
Language: English
ISBN-10: 0295956453
ISBN-13: 978-0295956459
Product Dimensions:
6.5 x 0.5 x 9.2 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
36 customer reviews
Amazon Best Sellers Rank:
#404,306 in Books (See Top 100 in Books)
I first bought a copy of this book at Munro's in the mid 1980s. Preparing for a recent trip to Alaska I reread it. (Wouldn't want to confuse an eagle for a raven or a bear for a beaver, after all!) I also bought a new copy to take along and possibly bang up.In roughly 100 pages Stewart takes the reader through the six groups of Northwest Coast people, the basics of their art, the geometric components of the art, how the form is adapted to different shapes and uses, a description of each of the major motifs (primarily animals), and finally a discussion of stylistic variations between the six cultures.A book this length will not make you an expert. But this book succinctly provides a basic understanding, sufficient to understand the figures of a totem pole or the subject of a print. As such, it is a great overview for someone wanting an introduction to Northwest Coast art either as an end in itself, or as a gateway to further reading.
This is just what I was looking for. Gives a simple to understand basic overview of a number of Northwest Pacific tribes' illustrative arts styles. Puts the history in a modern perspective and speaks on the resurgence of Pacific NW Native art in the print-making realm.The author then goes on to detail the characteristics of a numerous animals and figures represented in the art. Each animal gets a page or two with great and varied examples of artwork representing that animal. For instance, there will be a paragraph or two in simple language giving the description on the left hand page, and on the right hand page will be four different images of Pacifc NW art depicting the animal. Sometimes there is only one image for an unusual animal, but they are all well chosen and reproduced.I have no reservations recommending this book to anyone interested in the subject, particularly if you're interested in creating art inspired by these traditions. My ~only~ complaint is that the book could be about 1/3 larger size wise, it's somewhat on the small size and would make a great coffee table book if larger.Along the same lines, I noticed one or two pages where the typesetting of page seemed to run off the edge. I'm guessing this was previously released in a larger edition and has been reformatted to fit this slightly smaller size. Even with these minor criticisms, I consider this book a must-have on the subject.
This book was assigned for my university-level class on NWC formline art, and with good reason. It details the standards of the art form (shapes, colors, subjects etc), illustrates variations among the various peoples of the NWC, and then illustrates how the rules are being stretched by contemporary artists who have been key to keeping the styles alive. This book will help aspiring formline artists understand how to make this kind of art, and it will enable anyone to be able to interpret what they're seeing when they look at formline - at minimum appreciate how the art is put together, and what's being depicted - and with some practice, the specific nation that originated the particular style of formline they're looking at.
I wanted to dabble in this form of artwork, so starting in the mid-1980's I bought EVERY book I could find on the topic (I currently have in excess of 160, including some going back to the late 1700's). This book was one of the first I bought and it remains one of my favorites. This book is absolutely outstanding, especially for someone new to the artform.It overviews the native cultures and tribes, provides info about style difference among tribes, covers the components of the art style, and gives lots of great visual examples, including some good basic info about the symbolism of the elements. It is very successful in giving enough detail to be useful without giving so much that it gets complicated or boring.Regardless of your interest in this artform, whether you just want one book to learn a little or a "first book" to help you get deeply into it, in my opinion this remains the best one to buy.If you want to do this sort of artwork, buy this book to get a good basic understanding, then buy "Nothwest Coast Indian Art: an Analysis of Form" by Bill Holm for a deeper understanding of the elements, and "Learning by Designing" Volumes 1 and 2 by Gilbert and Clark for more help with how to actually do it.
Deceptively simple, seemingly a little book of barely 100 pages, black and white except for the cover - what's to like? All of the afore mentioned. It packs so much without complications. From the Bullhead to the mythical Sisiutl the characteristics as depicted in these line drawings as you see them in NW art, laid out, plainly and clearly, many from varying perspectives. I have admired NW art for years in our various museums, but what I have picked up from this book will inform my 'seeing' in the future.
Breaks down the NW Coast formline art form in understandable way.
Not the most famed book on the subject, but a really good one to get an insight on the style and start learning its features.
Interesting breakdown of the aboriginal shapes and forms that u see in the Pacific Northwest.
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