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Review
When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, "garish" signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American cityan archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the bookarguably among the most important 20th-century publications on urbanismhas had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above.” Choice
Las Vegas in the Rearview Mirror brings to bear an impressive array of sources, a profound knowledge of architectural history and urbanism, as well as numerous contextual disciplines, to dissect Learning from Las Vegas as a research seminar, a published artifact, a sophisticated analytical program, an ideological statement, and the epicenter of a debate about the form of the American city."Artillery Magazine
Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s70s pop culture, high and low art, and urban forms.”Book News
About the Author
Martino Stierli holds a Swiss National Science Foundation Professorship at the Institute of Art History at the University of Zürich and is a freelance curator. He is widely published and the author of Venturi’s Grand Tour: Zur Genealogie der Postmoderne (Standpunkte Basel, 2011).
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